Sex, power, class and money — these are the forces swirling around an opulent but hauntingly austere South Korean household in “The Housemaid,” a lurid cocktail of titillation and betrayal that never quite lives up to its intoxicating potential. An admiring, clever remake of Kim Ki-young’s legendary film of the same title from 1960, this version, directed by Im Sang-soo, is at once more explicit than the original and less kinky …
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